Dr. Janet Carton on Effective PhD Supervision: Challenges, AI, and Building Professional Relationships

May 30, 2025
Effective doctoral supervision is the cornerstone of successful doctoral education, requiring a combination of essential skills, nuanced understanding, and collaborative approaches. VILNIUS TECH organises a yearly event “Training for Doctoral Supervisors” to continue the growth of academic staff, by inviting distinguished guests from top universities in the world. This year's special guest –  Dr. Janet Carton from University College Dublin (Ireland).
 
Dr. Janet Carton has contributed to doctoral education development for almost 30 years, having a particular passion for the professional development of doctoral students and research supervisors. She introduced supervisor training to TUD in Ireland in 2001 and has since designed and implemented initiatives driving cultural change in two of Ireland's largest universities.  We invite you to learn more about her training and insights.
 
– What are the biggest challenges for PhD supervisors?
 
I think probably there are some of the core areas, irrespective of what's happening in the world, that are regarding time. We're working in a very time poor environment and research supervisors have less and less, but also to be considerate of priorities. So it's very challenging now for supervisors to juggle multiple priorities, and supervision is a very important one but there's a lot of constraints from the universities on them.
 
And the second thing that people need to be aware of is that the supervisor and the student – it's a professional relationship, and many of the issues that come out or become problematic in doctoral education are because of a breakdown in that professional relationship. So supervisors need to be aware that because they have more knowledge of doctoral education when the student comes in, that they should try to establish a framework to support that professional relationship, and then the student, as they become more autonomous and grow, can co-create that relationship with them. But this can be challenging because it's often personality based. So what supervisors, I think, need to be aware of is that they need to reflect on their own way of doing things, their own pedagogy and that will help in both the time situation, and then in building that professional relationship. And in the bigger world then you've everything like AI, open science, all of those activities. But in a few years time there's going to be something else. So it's about having that core foundation right and then you'll be able to move, be flexible in those changing times.
 
– What challenges and opportunities does AI provide for academic supervisors?
 
Well, for educators, I think, they need to be aware that the learning outcomes and the learning aims might need/will need to be reflected upon and looked at because the students are learning in a different way. So, our traditional methods of determining how they're learning and what they're learning will have to be looked at. This is challenging because nobody really likes change, but I think education across the world has become aware they need to embrace these changes. So, everybody's learning at the same time – the students and the supervisors. But from an education perspective, it's about looking at the possibilities with this new type of learning. And then also with doctoral education because it's the highest degree that can be awarded, we have to look at how we measure the learning outcomes to ensure that the level of “doctorateness” is achieved.
 
– What key role does doctoral school play and why is it important?
 
I think it's very important for students who are doing research that they have an identification beyond the disciplinary area. So even though a doctoral school might be of engineering, or of social sciences, or whatever, they do have a sense of community when there is a doctoral school, and they also have a sense of being aware of what's required of them in a PhD process. So, there's the identity, which is really important for the community, for the supervisors and the students, and there's also the sense that they will be directed through this process by a university, or by the community that is part of the doctoral college.
 
Also, I think, from the supervisor's perspective, from the university perspective, it enables that critical mass of learning in research to grow and flourish more easily than in isolated pockets around the university. 
 
– What are the most popular areas of study for PhD students today?
 
Well, the most popular are usually the same everywhere. They tend to be in the sciences, in the biomedical sciences, in IT, in engineering. However, there is also a growth in the humanities, in certain areas there. And, I think, what's important is to know that the actual doing of a doctoral degree gives you very similar skills from a transferable skills perspective. So even though you have the technological learning in one, and you have more of the philosophical approach, the actual learning or “doctorateness” can be quite similar from both.
 
– How has the doctoral journey and supervisor practices changed?
 
We have a couple of things there. So, the first thing in relation to what is actually available for PhD students to help them through their doctoral journey. There's an awful lot more than there used to be. And about 25 years ago there was no supervisor development, so for supervisors nothing was in place. Now for supervisors there are more things in place and there is a general awareness that the supervisor practice is a professional training practice.
 
For students, we have come through a few cycles. I would think maybe 10 years ago, there was a pre-pandemic, there was less of a dependency, more of a sense of community and interaction between students, whereas now there's a little bit more isolation, believe it or not, because of their dependency on tech for information. And we have found that there can be a little bit of a struggle to ensure the students have that appropriate information about the support that they have because they are learning about information within the university in different ways than we would be familiar with.
 
– What advice would you give to current and future doctoral students and their supervisors?
 
Some advice would be to ensure that when you start, from a student's perspective, on the PhD program, you interact with your supervisor as much as possible and you establish a way of working with your supervisor, so you clarify expectations about how both of you will be working together. And that's also a recommendation for the supervisors. So that is the first step in the foundation of that professional relationship. 
 
I think students need to be aware that they need to take agency, to be more empowered, that the PhD is their own PhD, and that they have more power in highlighting their needs for their learning with their supervisor than they actually do. It's not like an undergraduate degree, you will not be directed in the same way, and you need to be open to that, in order to enhance your learning.
 
From a supervisor's perspective, I think what they need to be aware of is that the support for them has increased. They need to be aware that their practice of supervision can be very specific to themselves, that they need to think, what the best practices are, and they need to avail of whatever offerings within the university are available. For example, the program we're on today (Training for Doctoral Supervisors 2025), that will help them and guide them through the process of supervision. So, there are more of those things for supervisors. There's more of a sense of identity or recognition of the complexity of the supervisor role. So, supervisors should avail of whatever they can, and for students, they need to be aware that there's in general more PhD students, in some countries there’s slightly less, so, it's no longer the case that having the PhD is a guarantee to certain career trajectories, that it's one very important step and they need to maximize the learning they get from it, not just from the discipline but from their own professional identity.

 

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Austėja, a singer in "Vingis": "Here, I can do more than just listen to folk music – I can become a part of it"
Austėja, a singer in "Vingis": "Here, I can do more than just listen to folk music – I can become a part of it"
University is about more than just lectures in auditoriums. It is also an opportunity for personal growth and developing your talents through extracurricular activities. That is why VILNIUS TECH invites students to join the academic choir "Gabija", the theatre studio "Palėpė", the orchestra, or the song and dance ensemble "Vingis". It was in this very ensemble that Austėja Vaikšnoraitė, a fourth-year Event Engineering student at the Faculty of Creative Industries and a vocalist in the group, found not only a new hobby but also friends for life. We invite you to take a closer look at the features, traditions, and unique character of this collective. – First of all, tell us how you chose this study program and VILNIUS TECH? – In high school, I was involved in musical activities, but I was afraid to apply directly for an arts degree. I had always wanted to study in Vilnius, so when I decided on engineering, applying to VILNIUS TECH as my first choice was a natural step. I liked the idea that this study program would allow me to gain technical knowledge while staying close to the creative and event management fields. It was here that I discovered a wide variety of non-traditional student activities, including "Vingis". – And how did the idea to join "Vingis" come about? – A friend encouraged me to join. We went to the auditions together—she wanted to dance, and I wanted to sing. It was quite scary at first because I didn't know what to expect or how things would go. However, as soon as I got there, I realized I was worrying for nothing. I quickly felt right at home, and those initial fears simply vanished.       – Was singing in a folk ensemble a new experience for you? What drew you to try out this specific field? – Folklore and its motifs in music have always interested me, but I had never engaged with them directly. Before "Vingis," it was more of an outside interest, but here I was able to experience it up close—not just listening to folk music, but actually becoming a part of it. Once you feel it up close, you don't want to let go of the magic it radiates. I think that’s what drew me in the most—the realization that folk music isn’t just a piece we perform on stage. Behind it, there is history, people, emotions, and a very strong sense of community. – If possible, could you describe the feeling you experience while singing during performances? – Every concert is a completely different experience. The sense of responsibility before a performance brings stress and various questions: Will everything go according to plan? Will I make a mistake? Will I mix up the lyrics? However, as soon as the concert begins, that feeling usually disappears. The tension fades away, and a sense of euphoria takes over. Singing together, listening to one another, and sharing that collective emotion make up for all the hard work and pre-show tension. For me, that specific moment is incredibly important—when you realize you are no longer alone on stage, but part of a unified whole. I don't necessarily enjoy just standing on stage for the sake of it, but truly magical things happen up there. And it's exactly those moments that make you want to come back again and again. – Participating in any extracurricular activity can bring various benefits. What advantages do you see in singing with "Vingis"? – I see a lot of benefits from singing and being involved in "Vingis". Singing develops creativity, active listening, mutual respect, and, of course, musicality. You also learn responsibility—you realize that your preparation and effort impact not only yourself but the entire ensemble. As a group, "Vingis" provides a very strong social foundation for a young, developing personality. Being here builds courage, discipline, self-confidence, and teamwork skills. However, in my eyes, the greatest advantage is the people. You meet very different personalities here, but everyone is united by the desire to be together, to create, and to experience something more than just university lectures. – Tell us, how do your rehearsals go? – We singers have very few male voices—something we are eagerly looking for during the September auditions—so we usually rehearse all together. We start with vocal warm-ups, which are often a lot of fun and set an energetic tone for the rest of the rehearsal. We learn the pieces by vocal parts, and eventually, we put everything together. Usually, we can get the foundation of a moderately difficult piece down in a single rehearsal, but the work definitely doesn't stop there. We polish the piece for at least another couple of weeks, sometimes even months, depending on the scale of the upcoming concert and the number of songs. Rehearsals aren't always easy, but they are almost always fun. I think that the ability to work seriously while also sharing a laugh is what really helps maintain such a great atmosphere. – How do you all get along within the group? Do you have any traditions or rituals before performances or rehearsals? How do you welcome newcomers? – We are more than just an ensemble; we are one big family—a community that shares its kindness and warmth with absolutely everyone. You can laugh, cry, celebrate, or share a moment of sadness with any member of the group. We have a lot of traditions and special evening events that bring us even closer together. The season kicks off with a welcome evening for the freshmen, followed the next day by an orienteering game around Vilnius and a potluck party at one of the members' homes. In December, we hold an annual review night where we discuss everything we've accomplished over the year and elect a new president. In February, we have "Guys' Night," where the girls organize the best night of the year for them. In March, it's "Girls' Night," and the guys return the favor, often raising the bar even higher. In the spring, we have the freshmen initiation, where the new members take the "Vingis" oath and officially become part of our community for life. We close the season with an incredible camp in Aukštadvaris, where the outside world simply fades away into the silence of the forest. It’s an indescribable experience that you have to feel for yourself—there’s no other way to truly understand it. We also have a special ritual before every concert: we place our hands on each other’s shoulders and interlock arms. Our director, Rimutė, always shares a few words. These aren't just formal pre-show pleasantries—she delivers truly meaningful words that inspire us, calm our nerves, and stay with us throughout the entire performance. We welcome newcomers at the beginning of September, during pre-announced audition dates. The dancers are asked to replicate specific dance moves and are evaluated by the directors. Singers and musicians also showcase their skills and abilities. However, you don't need to be an expert when you arrive—often, motivation, a willingness to learn, and the desire to become part of our community matter much more. – That being said, a student's primary focus is their studies. How do you manage to balance lectures, exams, and, for some, a job, alongside this extracurricular activity? – Balancing studies with "Vingis" is fairly easy, as long as you don't have very late evening lectures. Sometimes, you might get an unfavorable schedule for a semester, which means you have to prioritize and juggle your various commitments. But it is absolutely doable. Once I started working, things got quite a bit more challenging because my chosen profession doesn't have standard 8-to-5 working hours—that's just how the event industry works. Work often takes place on evenings and weekends, sometimes overlapping with rehearsals or concerts. Even if you can no longer participate in the regular activities of "Vingis", the strong bond with the group remains. After all, once a vingietis (a Vingis member), always a vingietis. – Is there anything else you’d like to add, or perhaps a message you’d like to share? – "Vingis" is an essential experience for every student. I’m not exaggerating in the slightest. I don't think I would have experienced such emotions, challenges, and moments of euphoria anywhere else. I gained so many social skills here and met incredibly wonderful, genuine people who I can proudly call my friends. And even if they aren't all close friends, they are people who will never turn their backs on you. It truly is an all-encompassing experience. For me, "Vingis" isn’t just about singing, dancing, concerts, or rehearsals. It’s about the people, the sense of community, the traditions, the laughter, the occasional tears, the exhaustion, the excitement, and that hard-to-explain feeling of realizing you belong to something much bigger than yourself. So, if you are a freshman reading this—consider this a personal invitation to join "Vingis" and experience the true, wild, and wonderful student life. It might seem scary at first, and you might not know what to expect, but there is a very good chance that you’ll find people and experiences here that you will cherish for the rest of your life. And it doesn't matter if you show up to dance, sing, play an instrument, or just out of sheer curiosity—the most important thing is simply to show
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The electronic services platform BUS
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