In a City That Should Be Open, Many Doors Remain Closed

December 4, 2025
Can our cities be friendly to everyone at all times, especially when we need it most? This question resonated at the international conference "Lithuania for All 2025" held at the Seimas of the Republic of Lithuania. The conference was organized by the Faculty of Architecture at Vilnius Gediminas Technical University (VILNIUS TECH) and initiated by Prof. Dr. Gintaras Stauskis.
 
Architects, landscape architects, scientists, politicians, international experts from various fields, and representatives of non-governmental organizations for people with disabilities gathered to discuss how accessibility evolves from a technical brief within a project into a moral test for society. "Some people are left on the sidelines not due to a lack of ability, but due to unadapted infrastructure," reminded Orinta Leiputė, Deputy Speaker of the Seimas, emphasizing that a city must be a safe and dignified place for everyone—regardless of visual, hearing, psychosocial, or other challenges.
 
This is not just about people with disabilities, but also parents with strollers, children, and elderly residents—everyone. The creation of inclusive urban open spaces establishes the prerequisites for the consolidation and maturity of our society.
 
Accessibility Is More Than Just a Ramp
 
More than 231,000 people with disabilities live in Lithuania, yet a large portion of them still cannot use the same services as everyone else. Rita Grigalienė, Vice-Minister of Social Security and Labour, reminded attendees that accessibility is not merely the ability to enter a building: "It is the opportunity to use culture, education, health services, and all city spaces on an equal footing with others."
 
This requires universal design—not special solutions for separate groups, but an environment properly designed for everyone from the start. As Indrė Kižienė, Chair of the Commission for the Rights of People with Disabilities of the Seimas, emphasized, such an environment "should not be exclusively marked, but simply naturally friendly to everyone." According to experts, good universal design is invisible.
 
Justina Muliuolytė, a lecturer at VILNIUS TECH and urbanist at PUPA/Life Over the Space, agrees: "We all want aesthetic buildings and spaces, but that is not enough. True quality lies in vibrant spaces that everyone can use and enjoy."
 
However, reality in Lithuania often shows otherwise. Birutė Sabatauskaitė, the Equal Opportunities Controller, cited several facts that drew sighs in the Constitution Hall: 72% of Lithuanian schools are not accessible to everyone; even Michelin-starred restaurants do not necessarily have toilets adapted for all people; and lifts installed in various locations are often left non-functional.
 
Invisible Challenges in Cities
 
The conference also focused significantly on invisible challenges—psychosocial, sensory, and cognitive needs—which rarely become part of project designs.
 
Prof. Dr. Arūnas Germanavičius, Director of the Republican Vilnius Psychiatric Hospital, emphasized:


"The urban environment can be a risk factor for mental health, but it can also be a healing factor. For people with psychosocial disabilities, a calm, less stimulating environment and green spaces every 300-500 meters are important. Cities need clear landmarks and minimal aesthetics."
 
He was seconded by Finnish researcher Dr. Ira Verma (Aalto University) and Professor Dr. Ruka Kosuge from Japan (Shibaura Institute of Technology), who drew particular attention to the aging society and the varying needs for social connection in cities. "One moment a person might want to be among people, the next they might need a comfortable distance from others—there should be an option to choose," shared Prof. Dr. Ruka Kosuge.
 
Issues of social connection and inclusion are particularly significant in cities. According to Dr. I. Verma, the opportunity to build social ties and engage more actively in planning and design processes is especially important for an aging society. However, due to unadapted environments, they often experience exclusion and lack the opportunity to engage in shaping their environment, even though they could make a weighty contribution to creating more accessible spaces for all.
 
What is the Price of Accessibility?
 
How much does a city accessible to everyone actually cost? VILNIUS TECH Professor Dr. Gintaras Stauskis answers bluntly: "The price of accessibility? If accessibility issues are addressed from the very beginning of the project's creation—accessibility costs nothing extra."
The biggest problems are the inconsistent interpretation of various norms, a lack of communication between institutions, and the fact that solutions and methods are not always implemented in the earliest stages. "Different municipalities evaluate the same solution differently, and sometimes universal design becomes an empty word left to interpretation," emphasized VILNIUS TECH doctoral student Ramunė Baniulienė.
 
Experts also pointed out that a low price in public procurement does not equate to quality solutions, and unthought-out details can cost significantly more later, affecting the daily lives of many. This requires the engagement of specialists from various fields and the residents themselves.
 
Nemunas Abukauskas, a representative of the Ministry of Transport and Communications, drew attention to another "invisible" problem—the dominance of cars in urban infrastructure. In the absence of precise rules, pedestrian and bicycle paths are still designed as secondary, and too little attention is paid to the movement of different road users in the same space, which can sometimes cost human lives.
 
Society Should Create an Environment Without Barriers
 
Various global practices show that it is possible to create a city where everyone feels welcome. This requires not expensive technologies, but political decisions, professional responsibility, and, most importantly, an inclusive societal attitude.
 
Prof. Dr. Svitlana Linda of Lviv Polytechnic National University (Ukraine) described how Lviv, despite the war, is implementing accessibility strategies—from ramps to public transport upgrades. Meanwhile, Prof. Dr. Ed Wall of the University of Greenwich (UK) reminded everyone: "Urban public spaces are never fully finished. They are constantly being improved. This requires the constant engagement of specialists and diverse groups of residents."
 
"In recent decades, Lithuania has made significant progress in ensuring environmental accessibility. An accessible environment has become not only a legal requirement but also a natural expectation of a mature society," shared Česlava Lisovska, Vice-Minister of Environment.
 
The Ambassador of Japan to Lithuania, H.E. Shinsuke Shimizu, invited everyone to reflect: "This is a question of the social model, where society adapts to people with disabilities and other needs, rather than the other way around. Changing attitudes is the most important thing—society should not create obstacles."
 
A recording of the conference can be viewed on the Atviras Seimas (Open Seimas) YouTube channel. The draft resolution of the conference is available at this link.
 
Conference Organizer: VILNIUS TECH (Vilnius Gediminas Technical University) Faculty of Architecture

Conference Patrons: Minister of Environment Simonas Gentvilas*, Chair of the Seimas Commission for the Rights of People with Disabilities Indrė Kižienė

Conference Sponsors: UAB "Paradis"

The conference is partially funded by: The Research Council of Lithuania

 
Photos: Aleksas Jaunius
 

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Austėja, a singer in "Vingis": "Here, I can do more than just listen to folk music – I can become a part of it"
Austėja, a singer in "Vingis": "Here, I can do more than just listen to folk music – I can become a part of it"
University is about more than just lectures in auditoriums. It is also an opportunity for personal growth and developing your talents through extracurricular activities. That is why VILNIUS TECH invites students to join the academic choir "Gabija", the theatre studio "Palėpė", the orchestra, or the song and dance ensemble "Vingis". It was in this very ensemble that Austėja Vaikšnoraitė, a fourth-year Event Engineering student at the Faculty of Creative Industries and a vocalist in the group, found not only a new hobby but also friends for life. We invite you to take a closer look at the features, traditions, and unique character of this collective. – First of all, tell us how you chose this study program and VILNIUS TECH? – In high school, I was involved in musical activities, but I was afraid to apply directly for an arts degree. I had always wanted to study in Vilnius, so when I decided on engineering, applying to VILNIUS TECH as my first choice was a natural step. I liked the idea that this study program would allow me to gain technical knowledge while staying close to the creative and event management fields. It was here that I discovered a wide variety of non-traditional student activities, including "Vingis". – And how did the idea to join "Vingis" come about? – A friend encouraged me to join. We went to the auditions together—she wanted to dance, and I wanted to sing. It was quite scary at first because I didn't know what to expect or how things would go. However, as soon as I got there, I realized I was worrying for nothing. I quickly felt right at home, and those initial fears simply vanished.       – Was singing in a folk ensemble a new experience for you? What drew you to try out this specific field? – Folklore and its motifs in music have always interested me, but I had never engaged with them directly. Before "Vingis," it was more of an outside interest, but here I was able to experience it up close—not just listening to folk music, but actually becoming a part of it. Once you feel it up close, you don't want to let go of the magic it radiates. I think that’s what drew me in the most—the realization that folk music isn’t just a piece we perform on stage. Behind it, there is history, people, emotions, and a very strong sense of community. – If possible, could you describe the feeling you experience while singing during performances? – Every concert is a completely different experience. The sense of responsibility before a performance brings stress and various questions: Will everything go according to plan? Will I make a mistake? Will I mix up the lyrics? However, as soon as the concert begins, that feeling usually disappears. The tension fades away, and a sense of euphoria takes over. Singing together, listening to one another, and sharing that collective emotion make up for all the hard work and pre-show tension. For me, that specific moment is incredibly important—when you realize you are no longer alone on stage, but part of a unified whole. I don't necessarily enjoy just standing on stage for the sake of it, but truly magical things happen up there. And it's exactly those moments that make you want to come back again and again. – Participating in any extracurricular activity can bring various benefits. What advantages do you see in singing with "Vingis"? – I see a lot of benefits from singing and being involved in "Vingis". Singing develops creativity, active listening, mutual respect, and, of course, musicality. You also learn responsibility—you realize that your preparation and effort impact not only yourself but the entire ensemble. As a group, "Vingis" provides a very strong social foundation for a young, developing personality. Being here builds courage, discipline, self-confidence, and teamwork skills. However, in my eyes, the greatest advantage is the people. You meet very different personalities here, but everyone is united by the desire to be together, to create, and to experience something more than just university lectures. – Tell us, how do your rehearsals go? – We singers have very few male voices—something we are eagerly looking for during the September auditions—so we usually rehearse all together. We start with vocal warm-ups, which are often a lot of fun and set an energetic tone for the rest of the rehearsal. We learn the pieces by vocal parts, and eventually, we put everything together. Usually, we can get the foundation of a moderately difficult piece down in a single rehearsal, but the work definitely doesn't stop there. We polish the piece for at least another couple of weeks, sometimes even months, depending on the scale of the upcoming concert and the number of songs. Rehearsals aren't always easy, but they are almost always fun. I think that the ability to work seriously while also sharing a laugh is what really helps maintain such a great atmosphere. – How do you all get along within the group? Do you have any traditions or rituals before performances or rehearsals? How do you welcome newcomers? – We are more than just an ensemble; we are one big family—a community that shares its kindness and warmth with absolutely everyone. You can laugh, cry, celebrate, or share a moment of sadness with any member of the group. We have a lot of traditions and special evening events that bring us even closer together. The season kicks off with a welcome evening for the freshmen, followed the next day by an orienteering game around Vilnius and a potluck party at one of the members' homes. In December, we hold an annual review night where we discuss everything we've accomplished over the year and elect a new president. In February, we have "Guys' Night," where the girls organize the best night of the year for them. In March, it's "Girls' Night," and the guys return the favor, often raising the bar even higher. In the spring, we have the freshmen initiation, where the new members take the "Vingis" oath and officially become part of our community for life. We close the season with an incredible camp in Aukštadvaris, where the outside world simply fades away into the silence of the forest. It’s an indescribable experience that you have to feel for yourself—there’s no other way to truly understand it. We also have a special ritual before every concert: we place our hands on each other’s shoulders and interlock arms. Our director, Rimutė, always shares a few words. These aren't just formal pre-show pleasantries—she delivers truly meaningful words that inspire us, calm our nerves, and stay with us throughout the entire performance. We welcome newcomers at the beginning of September, during pre-announced audition dates. The dancers are asked to replicate specific dance moves and are evaluated by the directors. Singers and musicians also showcase their skills and abilities. However, you don't need to be an expert when you arrive—often, motivation, a willingness to learn, and the desire to become part of our community matter much more. – That being said, a student's primary focus is their studies. How do you manage to balance lectures, exams, and, for some, a job, alongside this extracurricular activity? – Balancing studies with "Vingis" is fairly easy, as long as you don't have very late evening lectures. Sometimes, you might get an unfavorable schedule for a semester, which means you have to prioritize and juggle your various commitments. But it is absolutely doable. Once I started working, things got quite a bit more challenging because my chosen profession doesn't have standard 8-to-5 working hours—that's just how the event industry works. Work often takes place on evenings and weekends, sometimes overlapping with rehearsals or concerts. Even if you can no longer participate in the regular activities of "Vingis", the strong bond with the group remains. After all, once a vingietis (a Vingis member), always a vingietis. – Is there anything else you’d like to add, or perhaps a message you’d like to share? – "Vingis" is an essential experience for every student. I’m not exaggerating in the slightest. I don't think I would have experienced such emotions, challenges, and moments of euphoria anywhere else. I gained so many social skills here and met incredibly wonderful, genuine people who I can proudly call my friends. And even if they aren't all close friends, they are people who will never turn their backs on you. It truly is an all-encompassing experience. For me, "Vingis" isn’t just about singing, dancing, concerts, or rehearsals. It’s about the people, the sense of community, the traditions, the laughter, the occasional tears, the exhaustion, the excitement, and that hard-to-explain feeling of realizing you belong to something much bigger than yourself. So, if you are a freshman reading this—consider this a personal invitation to join "Vingis" and experience the true, wild, and wonderful student life. It might seem scary at first, and you might not know what to expect, but there is a very good chance that you’ll find people and experiences here that you will cherish for the rest of your life. And it doesn't matter if you show up to dance, sing, play an instrument, or just out of sheer curiosity—the most important thing is simply to show
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The electronic services platform BUS
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