REINCARNATED ARCHITECTURE drawing competition launches

March 12, 2024
The Department of Architecture Fundamentals, Theory and Art of Vilnius Gediminas Technical University (VILNIUS TECH) invites students and 2023 graduates of Lithuanian higher schools of architecture to participate in the annual drawing competition.The theme of the 2024 competition is "Reincarnated Architecture". The deadline for submission of entries is 12 April.

This year's drawing contest invites to imagine and draw an architecture and urban images that has not just one, but many life cycles, each taking on different forms and functions. 
It is imaginary architecture based on the idea of reincarnation. Reincarnation presupose the continuity of the substance of the "thing" or a „living species“, which is independent of the change of its shell, envelop, volume. The "belief" in the reincarnation of architecture opens up a world of fluid, gostly forms, in which all living and non-living species are the result of a constant and all-encompassing METAMORPHOSIS. 

The following thematic approaches to topic of reincarnated architecture are proposed: 
– Imagine the reincarnation of disused, ruined, abandoned, extinct buildings, linked to the reintroduction of new functions and new forms in an old structure or its remains;
– construct a world of reincarnated architecture by exploring the multifaceted ways in which architecture relates to the earth and its geological materiality, to different species inhabiting our planet, and at the same time, to man-made technologies. Because all organics, vegetation, fauna and humans, as well as technologies and artificial materials, eventually become (technologised) earth, sedimentary geological layers, fossils. All of these are then involved again in new cycles of creation of life and artificial environments;
– Or maybe reincarnation is about changes in materiality, climate, collision of elements and volumes? 

The theme of reincarnation proposes to imagine architecture not only as ultimate objects –but rather as an open structures of interconnection and encounter of all types of life. Interfaces between living and non-living species, materials, forms and technologies.
What kind of species the architecture you draw is designed for, can it be shared by different species?
How do nature and technology intertwine in architecture?
Is it possible to have an architecture that is constantly changing shape?
What happens when an essence, an idea, is reincarnated from animal, stone, human into architecture?

Organisers:
VILNIUS TECH Department of Architecture Fundamentals, Theory and Art. The author and curator of the idea of the competition is the artist and lecturer of the Faculty of Architecture of VILNIUS TECH, Dr. Prof. Audrius Novickas. Assisted by Assoc. Prof. Lilija Puipienė and lecturer Arūnas Gudaitis.

Participants:
The competition is open to students of all levels of Architecture studies at Lithuanian higher education institutions and Architecture graduates of 2023.

Judging of the competition drawings:
The entries will be judged by a jury of professional artists and architects. The aim of this jury is to select the three artists who have submitted the most interesting and best drawings from among all the entrants and to award them.
VILNIUS TECH Architecture Faculty students will also receive digital badges for their participation.
The competition evaluation criteria are: relevance of the drawings to the theme of the competition, originality of the idea, conceptuality and clarity of the concept, harmonious use of drawing tools and aesthetic quality of execution, harmoniousness of the artistic idea and the graphic image as a whole.

Awards
Winners and participants will recieve prizes from ART INN, Artseria and Lithuania National museum. The winner will get a special offer from VILNIUS TECH library and an opportunity to exhibit work at international art fair Art Compensa!

Methods and means of drawing execution:
The works must be drawn on paper by hand or by combining hand drawing with other graphic representation techniques such as collage or digital drawing.
Works may be created using a variety of drawing media: graphite, charcoal, ink, marker, rapidograph, brushes, feathers, etc.
Drawing size:
The maximum size of a drawing is 1x1m. This means that the size of the drawing can be smaller.

Deliver your drawings to:
Department of Fundamentals of Architecture, Theory and Art
VILNIUS TECH Faculty of Architecture
Pylimo g. 26/1 Vilnius 01118
(or hand-delivered to the art lecturers, Faculty of Architecture, VILNIUS TECH, 4.15/4.16)
The parcel must be marked "For the Architectural Drawing Competition"

Drawings must be delivered by 12 April 2024.

Exhibition: 
The drawings submitted to the competition will be exhibited at the exhibition on the 4th floor of the Faculty of Architecture, VILNIUS TECH.

If you have any questions, please contact: audrius.novickas@vilniustech.lt
Call: +370 683 20159

2024 Drawing Competition poster by Robertas Barkauskas

Related news

University of the future: dialogue between the past and the present
University of the future: dialogue between the past and the present
How does the role of a university change when viewed from two different perspectives: that of a former student who has now become a lecturer, and that of a current student just beginning their academic journey? How does university appear to someone who started there as a student and today teaches others, and how is it perceived by a student only taking one’s first independent steps in life? Representatives of the VILNIUS TECH Faculty of Electronics - Prof. Dr. Andrius Katkevicius from the Department of Electronic Systems and electronics engineering student Nojus Balciunas - are two different generations taking a fresh look at today's university and its future. Prof. Dr. Andrius Katkevicius, Department of Electronic Systems, Faculty of Electronics How has your view of the university changed from your student years to now as a lecturer? My perspective has changed significantly over time. When I studied electronics engineering at the Faculty of Electronics, I only saw a small part of university activity - mostly the teaching process. At that time, the university was associated with lectures, laboratory work, practical classes, and exams. During my bachelor's studies, I naively believed that successfully passing all exams was enough to secure a future in engineering career. Practice showed that in order to become a professional in your field, it is necessary to do extra work and actively participate in the chosen area of electronics, deepen your knowledge independently, and continuously improve yourself. Only during my master's studies did I begin to clearly understand that active scientific work is also carried out at the university. Today, after completing all stages of higher education and gaining pedagogical and scientific experience, I see the university as a multifaceted institution encompassing a wide range of activities and opportunities - from educating first-year bachelor's students to carrying out scientific and commissioned projects with local as well as international partners. How are student generations and their relationship with learning changing? Today's students are more focused on practical benefits and quick results. They have much broader and faster access to information, so they are increasingly less limited to material presented during lectures. At the same time, however, they face challenges related to information overload and evaluating information quality, especially when many answers can be obtained through artificial intelligence. There is a growing need for practical learning, understanding how knowledge is applied in real contexts, and seeing the value of studies in future professional activities. Students' expectations toward lecturers are also changing - dialogue, feedback, and a clearly structured learning process are increasingly valued. Although some students lack patience for long-term and consistent work, they are also more open to new technologies, digital tools, and flexible forms of learning. This encourages lecturers to constantly review and update their teaching methods. If you could compare the university from your student years with the current one, what has changed the most? One of the most noticeable changes is the study and research environment. A few years ago, after moving into new facilities, a modern and well-designed infrastructure was created, which clearly focused on study quality, scientific research, and collaboration. This environment not only improved technical possibilities but also changed the academic culture and daily work at the university. Fundamentally, the understanding of the university's role has changed - from an institution mostly focused on the study process, the university has become a much more active center for science, innovation, and project-based activities. Today, the university creates opportunities for students to participate in scientific, applied, and international projects, something that was previously less visible or accessible. Another important change is the advancement of learning tools and technologies related to digitalization as well as the application of artificial intelligence. Today, students have access to advanced digital learning platforms, virtual laboratories, simulation tools, and AI-based support systems that can help analyze, model, and deepen their knowledge. This fundamentally changes the learning process - from passive absorption of information to active, independent, and individualized learning. What should universities do differently today to better prepare students for the future? Universities should enhance the connection between studies and real practical experience even more, so that students can more clearly understand how acquired knowledge will be applied in professional activities. This includes closer cooperation with businesses and scientific partners, project-based learning, and involving students in applied and scientific projects as early as possible. It is important to develop not only subject-specific competencies but also general abilities - critical thinking, independence, responsibility for the learning process, and the ability to adapt to constantly changing technologies. Universities should encourage students to learn throughout life, experiment, make mistakes, and learn from experience, while also providing a suitable academic environment, which encourages that.   Nojus Balciunas, 3rd-year Electronics Engineering Student, Faculty of Electronics How would you describe the university and the significance of studies? For me, the university is first and foremost a community. Members of the VILNIUS TECH community are very warm and supportive people who constantly encourage participation in various activities organized both within and outside the university. Studies at VILNIUS TECH are an extremely significant stage of life. I can acquire not only academic knowledge but also practical skills, while developing critical thinking, independence, and responsibility. Of course, it is also a kind of transition into adult life, but even more importantly, it is a stage of growth, self-improvement, and self-discovery. I believe this is one of the most important periods in life. What expectations do you currently have for the university, and are they different from what you imagined before starting your studies? When I started studying at the university, I expected to gain more practical experience during lectures, but I soon realized that opportunities to gain such experience are provided beyond lectures. The university offers various additional activities, programs, and internships that students can join to deepen their knowledge and become more involved in practical activities. These opportunities are one of the university's greatest advantages - it provides space to grow, improve, and shape your own study path. What experiences or skills gained during studies are the most valuable? I believe the most important acquired skills are the so-called soft skills: being proactive, the ability to present your work and ideas, adapt to new environments, and respond quickly to changing situations. How do you imagine the university of the future - what should be different there compared to today? It is difficult to imagine the university of the future being very different from what it is now. Of course, laboratories and the equipment in them will become even more modern over time, but even today it is clear that VILNIUS TECH is constantly updating, expanding, and implementing the latest technologies. However, I believe that in the future laboratories will become even more open, giving students more opportunities to independently work on projects and implement their ideas outside of study hours. What motivates you the most today to study and improve yourself? What motivates me the most is my love for electronics and the desire to understand things I do not yet understand. And there are still very many such things.
More
Photography Exhibition "Leaving My Body" by Ieva Mizgeraitė
Photography Exhibition "Leaving My Body" by Ieva Mizgeraitė
We invite you to visit the photographic exhibition "Leaving My Body" by VILNIUS TECH alumna Ieva Mizgeraitė. This collection is a journey through a woman's inner world – through the body, emotions, self-discovery, and the attempt to look at oneself from the outside. In her work, the photographer explores a body that does not always conform to society's expectations, situations beyond our control, the masks we see around us and sometimes put on ourselves, as well as the constant demand to be strong, equal, and always ready. “Each project was born from a specific emotion – from the noise and dialogue in my mind that arose at that moment. Searching for answers, I left my body and looked at everything from the outside – through the states of my models, their poses, gazes, and bodies. I understood that when you look at yourself from the outside, emotions become temporary. Inner dilemmas that once seemed permanent begin to dissolve,” the photographer says about the concept behind the exhibition. The exhibition brings together anger, resistance, masks, expectations, and freedom. These are not merely personal themes – they are experiences familiar to many women. The photographer says that she captures not faces, but psychological states. For her, photography has become a way of self-discovery and self-reflection – a form of meditation that helps her step away from the noise of the outside world and better understand what truly matters. The author works predominantly in black and white. She has been professionally active in photography since 2025. The exhibition "Leaving My Body" is an introduction to a deeper journey, which is planned to be presented in Gallery A of the library in November 2026.   The exhibition is on display in the foyer on the second floor of the Central Library.
More